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Giorgio Duranti

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Giorgio Duranti
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Detailed Description

Giorgio Duranti (Brescia, 1687 - Palazzolo sull'Oglio, 1753)
Forest with birds
Oil on canvas, 34 x 47 cm - with frame 52 x 58 cm

The work in question, depicting an elegant grove with some goldfinches and sparrows, can be ascribe to the hand of Giorgio Duranti, naturist of the eighteenth century from Brescia. The reliability of the attribution is given by the fact that the painting is identified by Chiara Parisio as part of a series, coming from a private collection, composed of two other paintings by Duranti, linked by the same frame: a Rooster with chicks and Jay's Nest , the latter now exhibited at the exhibition "The animals of art" at the Pinacoteca Tosio Martinengo in Brescia (19 January-9 June 2019). A descendant of a noble family originally from Palazzolo sull'Oglio, Duranti began his studies at the Jesuit college of Brescia. The biographers insist on the ideal of a quiet, Arcadian life, satisfied with good readings and the daily practice of cello music, spent mainly in Palazzolo sull'Oglio, where Duranti enjoyed a consistent ecclesiastical benefit: a document attesting that it became abbot in 1732. His artistic production is made up of numerous paintings of birds and birds of every species, many of which are mentioned in the sources and documented in ancient collections, such as that of the Avogadro counts, and in the palaces of the noble families of Brescia (Barbisoni and Lechi). The main historical core of Duranti's paintings is now preserved in the Pinacoteca Tosio Martinengo in Brescia and consists of canvases of various sizes depicting birds, poultry and predatory birds. The paintings of birds are generally not configured as still lifes, but more often they represent live animals, outdoor portraits with a sharp spirit of observation: the colors are now strong and enameled, now more clear and tenuous. In the canvas under examination the painter has now detached himself from a scientific illustration, shifting his attention to the immediacy of the portrait of the subject from life. The composition is characterized by decorative freshness and brilliant colors, played on carmine and caramel tones. Duranti had a profound knowledge of Flemish animalists, was linked to the northern school following the examples of Giovanni Agostino Cassana, Cerano and Grechetto, appearing very close to the so-called Painter of Palazzo Lonati Verri (Biblioteca Sormani, Milan). He anticipates the paintings of Carlo Antonio Raineri and is part of the new trend of interest for Natural History. The production of the beginnings is inserted in the period in which the interest for botany and that for zoology went hand in hand. The pictorial application is distinguished by a minute rendering, liqueur-like and rich in crystalline transparencies, as it is given in the Two Egrets ( Pinacoteca Tosio Martinengo, Brescia) or in Le civette (Accademia Carrara, Bergamo). The patrons of the time, mainly aristocratic, favored large articulated hunting scenes populated with the most varied types of game. The fortune of this strand lasted a long time, and also concerned Venice, which with the Flemish area maintained intense economic and cultural exchanges, and for reverberation Brescia, a city solidly under the dominion of the Serenissima. In this context, the story of Giorgio Duranti, noble and passionate about science, appears to be a case in its own right in the art scene of the province. While following the realistic dictates of Lombard-Venetian painting, he chose to use the figures "set" in his works, as indeed happened in the naturalistic treatises of the time. To do this he availed himself of the collaboration of his brother Faustino and Andrea Torresani, a talented landscaper, also from Brescia.

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Ars Antiqua srl Milano, Via Carlo Pisacane, 55 (Milano - Italy)

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antiquario Antichità CASTELBARCO - Galleria d'arte e antiquariato Floral trophy, Gaspar Peeter Verbruggen II (1664 - 1730) 13800€
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